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Al Braithwaite: “Museum No. 1: Hizbollah’s Caviar & Other Works on Terror”

Rose Issa Projects
269 Kensington High Street, London W8 6NA
23 April – 16 May 2009
Tuesday – Saturday 1-6 pm

Al Braithwaite, the provocative young creator of Museum No. 1: Hizbollah’s Caviar, set out in 2002 with big ambitions: he wanted to bridge the gap opened by warfare using the common language of art and humanity. Having sold his possessions, he left London with an idealistic group of artists to live in the Middle East.

Six Years Distilled into One Piece of Art (‘4kg of World’)
Six years working and travelling in Turkey, Iran, Kurdistan, Emirates, Oman, Saudi Arabia, Jordan, Egypt, Syria, Iraq, Israel, Lebanon, Britain, and the United States have fertilised, nurtured, and given birth to this extraordinary, immaculately-presented, and conceptually-rich response to a patch of history dominated on many fronts by War on Terror anxiety (and what Braithwaite calls ‘Junk Bulletin Hypertension’ leading to multiple strains of ‘Congenital Mistrust,’ ‘Media Obesity’ and ‘Flagburning Bloodlust’). The nub of the leatherbound tome – a kind of provocative fusion of found texts, drawings, bullets, prayer beads and photographs – seems to cast new light on both sides of a political thoroughfare, and create a thought provoking thrust through the various intractable layers of conflict. The unique juxtaposition of ideas, the sharpness and clarity of the artist’s vision, and the thousand-mile quirkiness of the assemblages made from rubbish and found objects are what distinguish the collection.
In addition to Museum No. 1: Hizbollah’s Caviar the limited edition artist book, Braithwaite will also showcase a selection of other artworks in his fascinating repertoire of sapele mahogany cabinets, submachine guns, trapped worms, and enlarged kid drawings. His ascendancy as the trickster of art from the Middle East is fast being cemented.

New Art for Generation Elect
Conceived in the style of a double-take Orientalist treasure trove, the work augments that tradition with a fresh gamut of explosive rhetoric, notable for its un-bigotted, un-stale, unflinching, un-compromised, pacifying yet revolutionary, content. The Middle East art scene could be heralding a rising star – its own Joseph Beuys.

For further press information, images and interview requests please contact Lee Johnson, Lee Johnson Project Management & Public Relations, Lee Johnson, + 44 (0) 7814 862 834 or email lee@lee-johnson.co.uk


       
     
     
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